NEGAR AHKAMI
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Negar Ahkami's work negotiates Iranian and Western art influences, on Ahkami's own terms. Ahkami has created an aesthetic language out of Iran's contradictions: between its exquisiteness and failures, its complexity and cartoonishness, its humanity and brutality. Her relief-like, glittery paintings conjure Iran's elaborate tile-work and patterned visual traditions. But Ahkami takes permission from Western expressionists and American popular culture to make a version of Persian art that is visceral, neurotic and free. She embraces a bold hand and unleashed imagination, and rejects the poetic perfection and repressed authorship of traditional Persian-Islamic art. Her work over the years has engaged Orientalist and Occidentalist impulses in popular culture, with an eye that is at once critical and embracing.
Negar Ahkami was born in 1971 in Baltimore, Maryland and raised in Clifton, New Jersey. She received a BA in Middle Eastern Languages and Cultures from Columbia University in 1992, and an MFA from School of Visual Arts in 2006. She attended Skowhegan School of Painting and Sculpture in 2004. She received a Lower Manhattan Cultural Council Workspace grant in 2006-2007, and participated in the Jentel Artist Residency Program in Wyoming in 2003. Ahkami's work was exhibited in two solo exhibitions, at LMAK Projects in Williambsurg, Brooklyn in 2007, and at Leila Taghinia-Milani Heller Gallery in 2009. She participated in a two-person exhibition with Kyung Jeon in 2008 at Miki Wick Kim Gallery in Zurich. Her work has been seen in group exhibitions at the New Britain Museum of American Art (where her work is part of the permanent collection), the Chelsea Museum of Art ("Iran Inside Out"), the Bronx Museum of Art, Leila Heller Gallery, Stefan Stux Gallery and Kravets Wehby Gallery.
Born 1971, Baltimore, Maryland
Lives and works in New York City
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Press
A Female, But Not Mainly Feminine, Eye The New York Times, Published: January 7, 2011
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It's Not Dry Yet The New York Times, Published: March 26, 2010
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The Intersection of Islam, America and Identity The New York Times, Published: June 4, 2009
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Close Reading: Negar Ahkami The New York Times, June 4,2009
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Artists Leap Into The Moment The New York Times, Published: July 25, 2008
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ART REVIEW; Exploring the Effects of Disco's Beat Published: February 19, 2006
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Press
A Female, But Not Mainly Feminine, Eye The New York Times, Published: January 7, 2011View More
It's Not Dry Yet The New York Times, Published: March 26, 2010View More
The Intersection of Islam, America and Identity The New York Times, Published: June 4, 2009View More
Close Reading: Negar Ahkami The New York Times, June 4,2009View More
Artists Leap Into The Moment The New York Times, Published: July 25, 2008View More
ART REVIEW; Exploring the Effects of Disco's Beat Published: February 19, 2006View More